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evandar) wrote2025-07-02 12:31 pm
ursamajor) wrote2025-07-01 09:01 pm![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif){kind=small}
belladonna shares a tweet that got screencapped and put up on Insta:@ madisontayt_: imagining a vegan who won't drink nyc's tap water because of the microscopic shrimp
@ TheWappleHouse: The what now
catherineldf) wrote2025-07-01 08:18 pmfanf) wrote2025-07-02 02:45 amhttps://dotat.at/@/2025-07-02-cmp.html
Here are a few tangentially-related ideas vaguely near the theme of comparison operators.
( Read more... )
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dreamwidth_pagans2025-07-01 08:06 pmsovay) wrote2025-07-01 03:58 pm
rushthatspeaks and I made it to Rainer Werner Fassbinder's Querelle (1982) at the Coolidge. It was adapted from the 1947 novel by Jean Genet, but I have never seen anything onscreen that more resembled the novels of Chip Delany. Meant in sincere compliment, it is one of the sweatiest films I have ever seen. It looks like it smells like a porno theater. Its antihero is straight out of Tom of Finland with his sailor's tight, tight white trousers and muscular cleavage revealed by the barest excuse for an A-shirt, his boyish, chiseled, louche face under his insolently cocked bachi in the sullen, enticing haze that never varies from the sodium-smoke of just after sunset or just before dawn, a perpetual cruising hour. The sea-wall of its fantasized Brest is studded with stone phalli, anatomically complete with slit and balls. All graffiti in town is dicks. The chanteuse of the dive bar sings Wilde like Dietrich, but some of the construction workers with their buff hard hats are playing video games while the naval lieutenant who pines for Querelle records his poetically criminal obsessions into a portable tape recorder. The bare-chested, leather-vested cop at the bar actually is a cop outside of it, where he looks just as fetishistic in his fedora and black leather trenchcoat. Every interaction between men looks like a negotiation or a seduction whether it is one or not, although on some level it always is, regardless of the no-homo excuses manufactured to allow their bodies to meet. Constantly, metaphysically, literally, this movie fucks. Its hothouse, bathhouse sexuality must have come in just under the cutting wire of AIDS. I have no idea what it would offer a viewer with no sexual or aesthetic interest in men except its philosophy, although as my husband notes the philosophy is actually quite good, deconstructing its hard masc signifiers as much as it gets off on them, dissolving in and out of the words and ultimately the life of Genet; the theatricality of its interlocked sets and swelteringly flamboyant lighting would look entirely natural on the stage. It quotes Plutarch and stages a hand job that without a glimpse of cock would have caused mass apoplexies in the Breen office. (Send it back in time, please.) It was my introduction to Fassbinder and if I had seen it as an adolescent, I imagine it would have had much the same effect as Tanith Lee. It was introduced by the series programmer wearing leather in its honor and a T-shirt for Kenneth Anger's Scorpio Rising (1963). It made a superb date movie.trobadora) wrote2025-07-01 09:44 pmsid_guardian discussions ... I hope everyone's doing well, whether you're caught in this heat wave too or not.)soricel) wrote2025-07-01 09:04 pmI want to try to get my little collection of poetry published, despite my deep ambivalence and insecurity about doing so.
I want to be as present as possible for my partner, my family, and my friends. Times are tough, even if (so far) they’re not super tough for any of us personally. The ambient dread and sense that the future is fucked is pretty heavy though.
Kind of abstract and hard to measure, but I’d like to share more. Here, IRL, wherever.
kareila) wrote2025-07-01 10:43 am
zhelana) wrote2025-06-30 08:34 pmoracne) wrote2025-06-30 03:50 pmMy schedule is finalized! I didn't list participants in case there were changes.
Who will I see at Readercon next month?
The Works of P. Djèlí Clark
Salon I/J Friday, July 18, 2025, 1:00 PM EDT
Our Guest of Honor P. Djèlí Clark rounded out his first decade as a published author with a Nebula and a Locus for his fantasy police procedural novel, The Master of Djinn, and both those awards plus a British Fantasy Award for his monster-hunting novella Ring Shout. His short story "How to Raise a Kraken in Your Bathtub" is short-listed for the Hugo this year. As a History professor at University of Connecticut, he investigates the pathways leading from West African storyteller/poets (griots, a.k.a. djèlí) to the American abolitionist movement. Help us celebrate the works of our honored guest!
The Purposes of Memorable Insults in Sci-Fi and Fantasy
Salon I/J Friday, July 18, 2025, 5:00 PM EDT
Some of the most quotable lines in science fiction and fantasy are zingers. Wit can do a lot to build a character, a world, and a universe, and has the ability to either support or undermine reader expectations. This panel aims to explore and elaborate on the use of wit—and especially takedowns—in literature, exposing how a verbal jab can serve as more than just a punchline.
Moving from Traditional Publishing to Self-Publishing
Salon G/H Friday, July 18, 2025, 7:00 PM EDT
It's becoming increasingly common to hear of authors whose self-published work was so successful that they were picked up by a traditional publisher. But what of the authors who have gone the other way, by turning their backs on traditional publishing and going into self-publishing? Panelists will survey the varying reasons for making this transition, how authors have navigated it, and what this might say about the state of publishing overall.
Kaffeeklatsch: Victoria Janssen
Suite 830 Friday, July 18, 2025, 8:00 PM EDT
Meet the Pros(e) party
Salon F Friday, July 18, 2025, 10:15 PM EDT
Program participants are assigned to tables with a roughly equal number of conferencegoers and other participants, and then table placements are scrambled at regular intervals so that everyone gets to meet a new set of people in a small-group setting. Think of it as a low-key sort of speed dating where you need never be the sole focus of anyone's attention, and the goal is just to get to know some cool Readerconnish people. Please note that this event will include a bar and is mask-optional, unlike most other programming.
The Works of Cecilia Tan [I'm moderating this one]
Salon I/J Saturday, July 19, 2025, 12:00 PM EDT
Our Guest of Honor, Cecilia Tan, has a publication history that spans Asimov's, Absolute Magnitude, Ms. Magazine, Penthouse, and Best American Erotica, among others. Writer and editor of science fiction and fantasy, especially as they intersect with erotica and romance, she is also the founder of Circlet Press, an independent publisher that specializes in speculative erotica. Her own writing earned a Lifetime Achievement for Erotica in 2014 from Romantic Times magazine. She also contributes to America's other pastime, baseball, in her role as Publications Director for the Society for American Baseball Research (SABR). Come hear our panel discuss Cecilia's many talents and accomplishments.
Un-Kafkaesque Bureaucracies
Salon I/J Saturday, July 19, 2025, 7:00 PM EDT
In fiction, bureaucracies are generally depicted as evil in its most banal form, yet many of the actual bureaucracies that shape our lives exist to protect us from corporate greed. How can—and should—we tell other stories about bureaucrats and bureaucracies, particularly as the U.S. stands on the precipice of disastrous deregulation? And might fantasies of bureaucracy (such Addison's The Goblin Emperor and Goddard's The Hands of the Emperor) be the next cozy subgenre?
The Endless Appetite for Fanfiction
Create / Collaborate Saturday, July 19, 2025, 8:00 PM EDT
In an article of the same name (https://www.fansplaining.com/articles/endless-appetite-fanfiction), Elizabeth Minkel discussed how "2024 was the year [fanfic] truly broke containment—everyone seemed to want a piece of the fanfiction pie, leaving fic authors themselves besieged on all sides." Attempts to steal and monetize fanfic proliferated, as did reviews treating living authors as distant and unreachable. What do these trends say about larger changes in attitudes toward stories and creators? How can fans of all kinds nurture supportive connections to authors?
flexagon) wrote2025-06-29 10:09 pmapfelsingail and my squirrel! Super fun. We had temperate weather, clouds and a calm river.sovay) wrote2025-06-29 09:52 pmspatch that the driver who actually had stopped for us like a normal person let out one of those whoaaa sounds as at a game of the dozens, which was extremely good recompense for almost being run over by an SUV whose Lord may have been a shepherd, but obviously not a crossing guard.
